From this point on, “The Embrace of the Serpent” starts having color, with labyrinth forms that reminds one of a serpent’s movement. The whole movie is black and white, until Even passes out. They refer to the genesis of the universe, taking the movie away from its previous scenery also, the camera floats among the mountains, while heavy music and ritualistic whispers can be heard in the background. In the moment, Karamakate applies the mixture on Evan, the explorer passes out, and there is a sequence of oniric and hallucinogenic images. Forty years later, another foreigner, Evan, takes the same journey with Karamakate.Īt the end of the movie, they arrive to a mountain and Evan is able to taste the rare plant. The movie is about the journey of Theo, a sick German explorer, and Karamakate, an Native, through the the Amazon jungle in a search for a rare and miraculous plant. Ciro Guerra directs with as much propriety and delicacy needed to touch on such delicate points as colonization and exploration. One of the most poetic pieces in the last few years, “The Embrace of the Serpent” is, without a doubt, a masterpiece of Latin American cinema. The Embrace of the Serpent (Ciro Guerra, 2015) Here are 10 great movies with powerful endings.ġ0. On this list are dramatic, surrealist, poetic, and enigmatic endings. ![]() Meanwhile, modern cinema searches for empty endings, reflecting, most of the time, on the inside of their characters. Some film endings capture the viewer both by surprise (“The Shining”), by the drama (“One Flew Over the Cuckoo’s Nest”), by one last sigh (“The Revenant”) or perhaps by the redemption (“Gone with the Wind”).Īs classic and melodramatic aspects of cinema, they cherish endings that cause intense and often dramatic emotions. But the last impression, the last glimmer, the final glance, is what marks the viewer. The latter: the ultimate end, an epilogue in this, the resolutions of the clashes created previously are the key of the moment. The next: the development of a possible conflict presented in the first act it is where the climax lies. The first: the beginning, the presentation of the film universe that will come to be explored during the duration of the film. Repeatedly.According to several manuals of screenplays from the United States, a film is divided into three acts. "For a moment there I thought we were in trouble." Even if they are really subtle and not TYLER DURDEN FLASHING ONTO THE SCREEN obvious.Īt least you made up for it by picking a great ending to a great movie.īutch Cassidy and The Sundance Kid. Not to mentions there's hints throughout the movie. Besides, it's obvious from Kobayashi being a real person at the end that there's certainly a lot of elements of truth to the story he tells. See, a story is a story, even if the teller is talking out his ass. Yeah dude! Hey lets hire Stephen Baldwin too, you know really rub it in their noses! Well we could lie to the audience for the duration of the movie. Who's ever heard of a mystery film that doesn't give any clues to solve it? It was just so blatantly written backwards. I didn't like the ending of the Usual Suspects. ![]() White finishes off Orange with a bullet to the head, then he himself receives a hail of gunfire from the cops. White begins to whimper, realizing just how wrong he was. ![]() This is where Orange decides to tell White he is, in fact, the cop. White, not yet dead, claws his way back to the blood drenched (but surprisingly still alive) Mr. Pink comes from behind cover, surveys the bloody scene, then walks briskly out the door, making off with the diamonds. All of a sudden, Cabot shoots Orange, White fires on Joe, Eddie defends his father by capping White, and as White falls he fires off one last shot, killing Eddie.Īs they all lay their, apparently dead, Mr. Pink is just trying to avoid a bloodbath and yells "We're supposed to be f*cking professionals!". 45 at him, and now Nice Guy Eddie pulls out yet another gun on White. ![]() White defends his friend saying that Joe can't go on instinct alone and points his own. Orange is the rat and pulls a gun on him, Mr.
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